In 2065, Adri moves in with her newly discovered cousin, Lily, while she trains for her future life as a settler on Mars. Loner Adri worries living with elderly, open-hearted Lily will be hard, but Lily is respectful of Adri’s privacy and Galapagos, a giant tortoise on Lily’s Kansas farm, is a peaceful companion.
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The First Rule of Punk
Malú and her mom have moved from Florida to Chicago for her mom’s 2-year visiting professorship. Mixed-race (Mexican/white) Malú, whose parents are amicably divorced, is unhappy about leaving her dad, who nurtured her interest in punk. She also feels like her mom, whom she calls SuperMexican, wants her to be a perfect señorita, which couldn’t be further from Malú’s understanding of herself (or, it turns out, the truth).
That Neighbor Kid
Two neighboring houses. A moving truck. A fence and a tree. A girl and a boy. As the story opens, she’s peeking out the window of one house, he’s sitting in the yard of the other. She watches as he pulls down some fence boards. Some of these become steps up the tree. The girl, now outside, watches him, peering over the fence, then from behind a bush. Finally she picks up the hammer he dropped and follows him up the tree.
The Leaf Reader
Marnie Wells has taught herself tasseomancy, divination with tea leaves. Now, months after the disappearance of a girl named Andrea, Andrea’s best friend, Matt, seeks Marnie out. Matt’s been receiving cryptic emails from someone claiming to be Andrea and doesn’t know whether to believe it’s her. Marnie finds herself drawn to Matt and colliding with the wider circle of friends Andrea was part of, all of them wealthy kids at the upscale high school that Marnie attends only because her grandmother teaches there.
Welcome Home, Anna Hibiscus! (Anna Hibiscus Book 5)
The return of Anna Hibiscus is cause to rejoice with these four new paperbacks for newly independent readers or reading aloud. In Welcome Home, Anna Hibiscus!, Anna has returned from visiting Granny Canada, her maternal grandmother. Her new experiences make her feel uncertain—does her family think she’s changed too much? But the aunts, uncles, cousins and grandparents with whom she lives along with her parents and younger brothers in “amazing Africa” soon reassure her with their welcome and warmth, while a newly hatched chick bonded to Anna leads to amusing antics.
Where’s Rodney?
Rodney likes moving, not sitting in a desk at school; he likes the freedom of outside, not the constraints of inside. But Rodney isn’t excited about an upcoming field trip to the park—he knows the little, triangle-shaped space with yellow grass in his city neighborhood. “It had one large cardboard trash can and two benches where some grownups sat all day long.” The day of the trip, however, the bus rumbles right by that park, out of the city, past farm fields, and through a mountain tunnel. At the other end, it emerges into bright sunshine and a park unlike any Rodney has known.
Flying Lessons & Other Stories
“Blame my Uncle Kenneth. Everybody else does.” (Tim Tingle) “It’s a lot of pressure to pick a good elf name.” (Tim Federle) “Nani wears a fur coat to the beach.” (Soman Chainani) Whether starting with irresistible opening lines like these, or easing more quietly into the lives of their characters, the ten short stories in this anthology are wonderfully crafted slices of life.
Our Very Own Dog
“A dog came to live with us when I was four.” An engaging picture book in the voice of a girl whose family adopts a dog from the shelter works as a terrific informational narrative, too. The little girl’s dog, named Sophie, “was nervous around my father at first, so he was careful not to look into her eyes or pet her or get too close.”
The Harlem Charade
he rich past and present of Harlem is central to this lively, Balliett-esque mystery featuring three diverse young detectives. When Korean American Jin first pairs with African American Alex for a school assignment to explore some dimension of Harlem history, she’s challenged by Alex’s brusque and secretive manner. The two unite over shared interest in the recent discovery of a painting by a Black woman activist artist of the 1960s.
Away
Skip does not want to go to sleep-away camp, and in the busy days before she leaves she maintains her stance of resistance through a series of sticky notes left for her mom, even as she resignedly proceeds with getting ready. Meanwhile, Skip’s mom is a gentle, steady front of consistency in notes of her own as she shepherds Skip through the necessary preparations and packing.