Middle Grade Fiction

Arturo lives in an apartment complex in Miami along with most of the rest of his extended, close, chaotic Cuban American family. At the center of their lives are Abuela and La Cocina de la Isla, the restaurant she began with Arturo’s late grandfather. With Abuela’s health in question, no one wants to tell her about the threat to the proposed expansion of the restaurant into the empty lot next door: a new, buffoonish developer in town has plans for an upscale high-rise.

Amina is unhappy that her best friend, Soojin, has recently started inviting Emily, a classmate neither of them have ever liked, to spend time with them. At home, Amina’s family is getting ready for the visit of Thaya Jaan, her father’s older brother, from Pakistan. To impress Thaya Jaan, and support their Imam, Amina’s parents tell Amina and her older brother, Mustafa, that they must complete in their mosque’s upcoming Quran recitation competition.

Three children on the run become determined to save Jewish texts from the flames of the Inquisition in this riveting, richly detailed story set in thirteenth-century France. Jeanne is a peasant who has visions and has fled her village pursued by Church representatives. William, son of a nobleman and a north African Muslim woman, is a monk in training. Extraordinarily strong, he’s been tasked with carrying a satchel of books to the monastery of St. Denis as punishment for disobedience. Jacob is Jewish and has unusual gifts as a healer, but he is helpless when Christian boys on a rampage burn his village.

After Obayda’s family moves from Kabul to the village where her father grew up, the 10-year-old’s aunt suggests she become a bacha posh—a girl who passes as a boy—to give her family the advantage of a son. Obayda’s parents reluctantly agree. Obayda, now Obayd, likes being a girl, and doesn’t know how to move through the world with a boy’s swagger and certainty. Befriended by Rashid, an older bacha posh, Obayd soon is relishing the freedoms and privilege her older sisters do not enjoy, even in their progressive family.

“There’s no Patron Saint for Junior Bridesmaids. How is that possible?” Mary’s invitation to be in her older cousin’s wedding launches a laugh-out-loud story genuine in its depth and warmth. Mary’s family is about to move to North Dakota to join her dad, who’s been there for a job since their small-town family hardware store failed. Middle school-aged Mary and her younger brother, Luke, are staying with their grandmother and bride-to-be Edie’s family in St. Paul for the summer while their mom, exhausted from holding things together at home alone, joins their dad to find a place they all can live.

Eleven-year-old Genie and his older brother, Ernie, are staying with their Virginia grandparents while their parents go on vacation. It’s Genie’s first time meeting his grandfather, who’s never visited Brooklyn. Genie is fascinated to discover the older man is blind, although so capable in the house that Genie doesn’t realize it at first. A story full of small dramatic arcs and ongoing mysteries.

Living in San Francisco Chinatown in 1906, teenage Mercy Wong wants to become a business woman to support her family. Smart and spirited, she negotiates her way into a prestigious, whites-only girls’ school for the educational advantage she’s sure it will provide. The racism Mercy and her Chinatown community experience is an essential part of an insightful and engaging work that is part boarding school story, with Mercy navigating relationships as a social and cultural outsider, and part riveting account of the San Francisco earthquake.

Raymie, 10, is determined to become Little Miss Florida Central Tire so her father, an insurance agent who recently ran off with a dental hygienist, will read about her in the paper and realize his mistake. At baton twirling lessons she meets Louisiana Elefante and Beverly Tapinski. This story set in a small Florida town in the 1970s moves quickly while capturing the hot, timeless feel of summer as the three girls form an unlikely, not always easy friendship.

Zomorod and her parents are in the United States for her dad’s job as an engineer working at a California oil company. Zomorod, who has chosen the Brady Bunch-inspired name “Cindy” at school, narrates an often funny and always insightful account of her life as an Iranian immigrant in the late 1970s (an era that is vividly and often delightfully realized here). Her father is openhearted and upbeat but her mother finds it difficult acclimating to their life in America.