“While you turn the pages of this book, the world doesn’t stop…” A picture book that begins and ends with an awareness of the book itself as both physical object and source of engagement also launches reader’s and listeners on a journey around the world, offering glimpses of things happening at the same moment in time. A boat tossed by a storm in the Baltic Sea, passengers stuck on an elevator in New York City, a soccer ball flying toward a window in Greece, a man resting on a bench in Tokyo, a thief entering a home (perhaps his own, it’s playfully noted) in Pescara, Italy.
Picture Book
Last Stop on Market Street
As he and his nana take the bus across town, observant young CJ is full of questions and more than a little wishful thinking: Why don’t they have a car instead of having to take the bus? Why do they always have to go somewhere after church? How come that man sitting near them can’t see? Why is the neighborhood where they get off the bus so dirty? In response, his nana points out everything they would miss if they weren’t right where they were at each moment, from the interesting people they get to see and meet to the realization that beauty can be found everywhere.
The New Small Person
Elmore Green enjoys being an only child. He doesn’t have to worry about anyone messing with his stuff, and “Elmore Green’s parents thought he was simply the funniest, cleverest, most adorable person they had ever seen.” When a “new small person” arrives, Elmore Green’s perfectly ordered life is turned upside down. “They all seemed to like it … maybe a little bit MORE than they liked Elmore Green.” As the new small person gets bigger, he disrupts Elmore’s things, he licks Elmore’s jelly beans, he follows Elmore around, he moves into Elmore’s room. It’s awful, until the night Elmore has a bad dream and the small person comforts him.
My Three Best Friends and Me, Zulay
Zulay, who is blind, wants to be treated like the other kids in her elementary classroom. And mostly, she is. She and her three best friends (one white, one Asian American and one African American, like Zulay) help one another in class and play together during recess. When the other students go to gym, though, Zulay has to work with Ms. Turner, who is teaching her to walk with a cane. Zulay doesn’t want to use a cane because it makes her stand out as different.
In Mary’s Garden
As a child, Mary Nohl helped her father build a house along the shore of Lake Michigan just north of Milwaukee and was “happiest when her hands were busy making, building, creating things.” Mary grew up to travel all over the world and was captivated by the art in the places she visited. When she came back home to the house she’d helped build, she began to collect found objects on the beach, with the help of her dogs Sassafras and Basil. The things she gathered were part of something bigger—a creature she could see her in imagination and soon set about bringing into being.
Hoot Owl, Master of Disguise
Unconventional Hoot Owl concocts one outrageous costume after another as he attempts to bag his evening meal. But just as his carrot disguise doesn’t fool a rabbit, his ornamental birdbath get-up fails to result in a pigeon dinner. Undaunted, Hoot Owl moves from one lost opportunity to the next, finally nailing an inanimate pepperoni pizza while wearing the white jacket and toque of a waiter, complete with a mustache penciled below his beak.
Drum Dream Girl: How One Girl’s Courage Changed Music
Millo Castro Zaldarriaga was born in Cuba in the 1920s and grew up attuned to the rhythms in the world around her, and inside her. She dreamed of drumming, but only boys and men learned how to play at that time. She dared to drum anyway, “tall conga drums / small bongo drums / and big, round, silvery / moon-bright timbales … Her hands seemed to fly / as they rippled / rapped / and pounded / all the rhythms / of her drum dreams.” Her father said no when her sisters asked ten-year-old Millo to join their band. Only boys should play drums, he said. But Millo couldn’t silence the sounds.
Tap Tap Boom Boom
“Sky grumbles. Rain tumbles. Big weather — you’d better … get under umbrella! BOOM BOOM.” A rainstorm in the big city on a summer day means the appearance of umbrellas, a mad dash for the subway, and a spontaneous, generous-spirited gathering belowground. “The storm above makes friends of strangers. We laugh under cover at thunder and danger.”
Rock & Roll Highway: The Robbie Robertson Story
Robbie Robertson’s rise to fame as a founding member of The Band, and writer of some of the iconic songs of the late 1960s and early 1970s, is chronicled by his son Sebastian in a substantial and engaging picture book biography. From the time he was a young child visiting his Mohawk relatives on the Six Nations Reservation in Canada, Robertson was immersed in “rhythm, melodies, and storytelling.” And from the time he got his first guitar, he spent hours practicing. “On the reservation, eleven-year-old Robbie had surpassed the adults as the best guitarist.”
The Baby Tree
A young boy wonders where his family will get the new baby he’s been told will be coming. His neighbor Olive tells him a seed will grow into a baby tree; his teacher says the baby will come from the hospital; Grandpa says a stork will bring the baby; the mailman thinks it has something to do with eggs. Back at home in the evening, he asks his parents, who tell him about the seed from his dad and the egg from his mom, and the baby that will grow inside her until it’s ready to be born, “sometimes at home, but usually at the hospital.”