Winter Is Here

Comforting illustrations with wintry hues—deep blues, bright blues, grays and whites—and cozy scenes featuring animals, brightly clad children, and snow and wind and ice, grace the pages of this picture book in which the lush acrylic artwork amplifies keen observations about the season expressed in the sparkling narrative.

The Night Diary

When Nisha and her twin brother Amil turn twelve, Nisha receives a notebook from her family’s beloved cook, Kazi. She uses it as a diary, writing entries in the form of letters to her mother, who died when the twins were infants. Observant, sensitive Nisha is an excellent writer, but anxiety makes it difficult for her to speak. India has recently been freed from British rule, and when tensions among Muslims, Hindus, and Sikhs erupt in her hometown of Mirpur Khas, Nisha fears for her family’s safety.

The Patchwork Bike

A girl enthusiastically describes her antics with her brothers, with riding the bike they built themselves her favorite of all they do. The bike is comprised of found objects: “handlebar branches that shicketty shake … tin can handles and wood-cut wheels…and a bell that used to be Mum’s milk pot.” That it is handmade out of economic necessity, sometimes requiring repairs relying on more ingenuity, is something that readers and listeners can infer, but it has no relation to the siblings’ pleasure and delight, which is absolute.

Hearts Unbroken

Lou starts senior year feeling protective of her little brother Hughie, an incoming freshman, but Hughie fits right in among theater kids. Lou joins the school paper, and soon is crushing on a fellow journalist, Lebanese American Joey. Burned by her last boyfriend’s unexpected racism, she is hesitant to tell Joey that she is Muscogee Creek, even after it’s clear he likes her, too.

Blood Water Paint

n early 17th-century Rome, Artemisia Gentileschi, 17, has surpassed her father’s skill as a painter but gets no credit for her work because she is a woman. Artemisia’s late mother told her about the Biblical figures of Susanna and Judith, wanting Artemisia to understand the struggles of the two women—the things they suffered simply for being women—as well as their courage and bravery, none of which Artemisia sees reflected in the work of men who’ve painted them.