A substantial and arresting history of Soviet women flying combat missions during World War II begins with the rise of the Communist party in Russia. Its stated commitment to equal opportunities for men and women was not the reality, but a generation of young women grew up with opportunities to learn how to fly in Communist youth clubs.
Informational
We Are Here to Stay: Voices of Undocumented Young Adults
Nine young adults with undocumented immigrant status in the United States share their individual, complex stories about how and why they came to this country, and their experiences since arriving. Each has made the decision to speak out, not only in this book but often in other contexts: courageous activism as they both live in and emerge from “the shadows” to share their stories and dreams.
We Rise, We Resist, We Raise Our Voices
The intention throughout this volume is clear and focused: It reads like a love letter to Black and brown children. A gathering of poems, essays, short stories, and a wide range of artwork, the pieces include hard truths and hopes and dreams grounded in experience, memory, and imagination.
The Borden Murders: Lizzie Borden & the Trial of the Century
This arresting work doesn’t answer the question of whether Lizzie Borden killed her father and stepmother in Fall River, Massachusetts, in 1892, because there isn’t enough factual information to support a definitive response. Instead, it lays out the evidence and arguments used by both Lizzie’s prosecutors and her defense team.
Champion: The Comeback Tale of the American Chestnut Tree
A fungus wiped out the majority of the majestic American chestnut trees in the first part of the 20th century. This fascinating account documents how the fungus was identified and three scientific programs to bring the American chestnut back from the brink.
Libba: The Magnificent Musical Life of Elizabeth Cotten
As a child in rural North Carolina in the early 20th century, Libba Cotten “heard music everywhere.” She borrowed her brother’s guitar when he wasn’t home and played it upside-down and backwards, because she was left-handed. “Nobody else played that way, but it was the way that felt right to Libba.” Libba composed the song “Freight Train” around age 11, inspired by the sounds of trains on nearby railroad tracks. “But even trains get derailed.”
Martin Rising: Requiem for a King
In early April 1968, Dr. Martin Luther King, Jr., returned to Memphis to stand again with striking sanitation workers. Fevered and tired, he wanted to skip the April 3 evening rally at Mason Temple, but went and roused the crowd with his oratory and his faith in the path of nonviolence and the promise of the future he knew he may not live to see.
Boots on the Ground: America’s War in Vietnam
Chapters detailing the experiences of diverse individuals in Vietnam during the war—soldiers, a military advisor, a military nurse, a young Vietnamese woman trying to flee the country with her family after the fall of Saigon—alternate with chapters focusing on the political front in the United States in this arresting account of the Vietnam War.
Bravo! Poems about Amazing Hispanics
“Flight! / I’m the first woman pilot, but I won’t be the last — / every little girl who sees me up here in blue sky / will surely grow up with dreams / of flying too!” (from “The World’s First Woman Pilot,” Aída de Acosta, 1884-1962, Cuba) Biographical poems introduce 18 Hispanics whose lives, notes author Margarita Engle, range from those “celebrated in their lifetimes but have been forgotten by history,” to others who “achieved lasting fame.”
Vincent and Theo: The Van Gogh Brothers
As a young man, Vincent Van Gogh worked at an art auction house but was neither happy nor successful. He turned to God and ministered to the poor with great humility and an unsettling passion for self-denial until he was asked to leave his post. At 27, he returned home and began to draw and paint with purpose, relentless in the desire to improve. His brother Theo, two years younger and a successful art dealer, was his greatest critic and staunchest supporter financially and emotionally. Excited by the new style called Impressionism, Theo encouraged Vincent to use more and more color in his work.